This project is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This website is created by Yeohyun Ahn to integrate creative coding, digital fabrication, and physical interaction into spatial typography and graphic design. For more information: http://www.yeohyunahn.com
Students' Works from the Course, Advanced Typography, Graphic Design Program, Art Department, University of Wisconsin, Madison,WI, in 2019 Spring.
Fore more exhibitoin information: https://www.facebook.com/yeohyun.ahn/posts/10158257228026754
Floral Typography is a design trend that combines typography, calligraphy and lettering with floral elements. Floral typography + CODE reinterprets it by using computation.
Solo Exhibition, Flowers Too, Trinity International University, Deerfield, IL, on Nov 2019. For more works: http://yeoahn.com/designandchange/albums/flowers-2/
Floral Typography is transfomred from illustration to generative self portrait photographs.
It is from the Course, Motion Typography, in the Graphic Design program at the University of Wisconsin Madison in 2019 Fall.
Participating students are Bevan Alomepe, Mo Chen, Lauren Chung, hong huo, euro kim,and Claire krieger.
Fore more works: http://www.socialhomelessness.com
Download Tutorial: selife+code_tutorials.zip
Fore more works: http://www.selfieandcode.com
: a collection by using digital fabrication by Yeohyun Ahn since 2014.
: Students' works from the course, Typography and Code, at SAIC, Creative Coding for Graphic Design, and Portfolio Preparation in the Graphic Design program at the University of Wisconsin Madison.
: Students' works from the course, Typography and Code, at SAIC, Creative Coding for Graphic Design, and Portfolio Preparation in the Graphic Design program at the University of Wisconsin Madison.
Tangible TYPE + CODE Research Paper at Proceedings of EVA London 2020 (EVA 2020) in Collaboration with Prof. Taekyeom Lee at Iowa State University.
It is a collection of the students' works in the course, Creative Coding for Graphic Design, from University of Wisconsin-Madison since 2018.
It is a collection of the students' works in the course, Creative Code, Valparaiso University, from 2016 to 2018.
It is a collection of computational typographic experiments and researches by the artist since 2005. It aligns with alternative typeface and typography methods, solutions, and education in America. It began her MFA thesis, TYPE+CODE, at Maryland Institute College of Art, in 2007. It has extended to the continuing typography research series from TYPE + CODE to TYPE Portrait. TYPE + CODE explored the aesthetic of code-driven typography by using primarily letter form. The computational visual outputs were original, exploratory, inventive, and novel. TYPE + CODE II used letterform, words, phrases, and sentences to explore expressive typographic forms and solutions using mathematic expressions, computer algorithms, and libraries. It conveys diversified visual messages inspired by nature, addressing environmental issues such as green design, healing through arts, exploring philosophical and religious interpretation regarding life, death, and love. TYPE+CODE III extended the aesthetic of code-driven typography from cyberspace to physical space by using digital fabrication such as laser cutting and 3d printing by using porcelain. Floral Typography is a design trend to combine calligraphy, typography, and lettering with floral visual elements. Floral Typography + CODE reinterprets floral typography to transdisciplinary typography as a generative typography system. A selfie is a form of art. The recent version, Typographic Selfie + CODE, uses diverse typefaces to embed visual expression into generative selfies. It shows possibilities to use each typeface's personality to be expressive and visually appealing in the generative selfies. The typographic researches have embedded into graphic design education as courses, Typography and Code, in Visual Communication Design, at the School of Art Institute of Chicago, from 2012 to 2014, Creative Coding, from 2014 to 2018, at Valparaiso University, and Motion Typography, Advanced Typography, and Creative Coding for Graphic Design, in the Graphic Design program, at the University of Wisconsin Madison since 2018.
To implement my visual ideas, I referenced Geomerative Library and Caligraft (http://www.caligraft.com,) created by Ricard Marxer, Binary Tree Algorithm(data structure in computer science composing of parent nodes,or leaves,) L-system algorithm,simulating dimensional tree forms with fractals and the fonts, Arial, Helvetica, Stanford from http://www.jenniferdickert.com, in Processing, created by Casey Reas and Ben Fry.